See More Your browser does not support the audio element. In fact, this album seems so fully realized it's difficult to imagine Mystikal taking his music to yet another level without changing his style. Like Let's Get Ready, Tarantula realizes the potential Mystikal's early work for No Limit promised - the potential to be one of the most successful and unique, yet still unrefined and uncompromising, rappers in the game. Mystikal locates the strain of charisma that connects James Brown’s onstage I’m Bad-ness to Muhammad Ali’s pre-fight, shit-talk freeze-outs, Redd Foxx party. They dissed him on tracks like 'Drag 'Em in Tha River' by U.N.L.V. He found himself in conflict with fellow New Orleans rappers signed to Cash Money Records including U.N.L.V., Lil Wayne and B.G. Hes got a new job (executive creative consultant at Def. The hip-hop legend is having a big end to the year. This self-titled effort doesn't come close to matching Mystikal 's later work, not even his No Limit albums, as the production is of budget quality and the songwriting similarly lacking. Mystikal's debut album, Mystikal, was released on New Orleans-based independent record label Big Boy Records in 1994. Snoop Dogg: ‘I always wanted a song with me and Jay-Z together on a Pharrell beat’. And since Mystikal rises to the occasion, delivering rhymes that are just as rousing as the beats, he has recorded his second great album in a row. Mystikal delivers his rhymes with frenzied finesse here, not quite as aggressively as he would later but certainly as fluidly. Mystikal really couldn't ask for better production, overall - all the tracks have bouncy, ass-shakin', club-ready beats, and nearly all have quite catchy hooks. The Neptunes return with three excellent productions, one of them, "Bouncin' Back (Bumpin' Me Against the Wall)," attempting to duplicate the energy and appeal of the last song the duo produced for Mystikal, "Shake Ya Ass." Elsewhere, two of the industry's hottest producers of the moment, Rockwilder and Scott Storch, contribute some excellent tracks. Longtime collaborator KLC continues to improve here, crafting many of this album's liveliest moments, songs like "P***y Crook" and "Big Truck Driver" that find Mystikal at his least mannered. One thing has changed with Mystikal over the years though: With each successive album, he's been graced with continuously improved production. On Tarantula, Mystikal's first album in the wake of his commercial breakthrough in 2000, he's just as wild as ever - a blunt-smokin', big truck-drivin', ass-slappin' James Brown for his generation with no apologies and few pretensions. The coast-to-coast success of "Shake Ya Ass" thankfully didn't tame Mystikal too much.
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